Category Archives: drawing / painting / sculpture

Archetypes of Painting

The Messenger, The Totem, The Shaman, and Watcher Performed on April 3rd   >>>>>>>>>>>>>> script >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> What is process? Is it what I do? What I imagine? My dance with the material world? The thing that I draw is only

Archetypes of Painting

The Messenger, The Totem, The Shaman, and Watcher Performed on April 3rd   >>>>>>>>>>>>>> script >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> What is process? Is it what I do? What I imagine? My dance with the material world? The thing that I draw is only

Surfacing

approx. 700 x 1000 mm mixed media on sculptural form ________________ From a lake a fish jumps An idea of a fish jumps A fish jumps, carved wooden fish with dots painted on the sides, No, antlered fish thing drawn

Surfacing

approx. 700 x 1000 mm mixed media on sculptural form ________________ From a lake a fish jumps An idea of a fish jumps A fish jumps, carved wooden fish with dots painted on the sides, No, antlered fish thing drawn

The Bin

(2003) 790 x 1090 mm dry materials and oil

The Bin

(2003) 790 x 1090 mm dry materials and oil

Memory Trace

memory trace

Memory Trace (2004)

: a photo-drawing (series) :

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‘Memory trace’ is the preserved content of the lingering imagery of experience. The experienced memory (in time and space) is recalled from the contained imagery of the object (body). Memory traces tend to fade out in time and become signs and the contents fragment and defragment; are remixed. The salient features of the distant hum are emphasized, unbalance balances. When something seems familiar, that memory contains the referential similarity or the similarity of trace interfaces within the scene (context).

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Memory Trace

memory trace

Memory Trace (2004)

: a photo-drawing (series) :

———————————-

‘Memory trace’ is the preserved content of the lingering imagery of experience. The experienced memory (in time and space) is recalled from the contained imagery of the object (body). Memory traces tend to fade out in time and become signs and the contents fragment and defragment; are remixed. The salient features of the distant hum are emphasized, unbalance balances. When something seems familiar, that memory contains the referential similarity or the similarity of trace interfaces within the scene (context).

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painting

(detail view) 2005. ————————————————-

painting

(detail view) 2005. ————————————————-

Being Watched (the speed of war)

being-watched-inst

installation view

being watched

intaglio poster for the installation

(2005)

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Being Watched (the speed of war)

being-watched-inst

installation view

being watched

intaglio poster for the installation

(2005)

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Experiment of the limitation with body speed

experiment about limitation with speed

(2005)

drawing as a remnant of performance

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Experiment of the limitation with body speed

experiment about limitation with speed

(2005)

drawing as a remnant of performance

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organic configuration

organic things

(2005)

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organic configuration

organic things

(2005)

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