Category Archives: drawing / painting / sculpture
Archetypes of Painting
The Messenger, The Totem, The Shaman, and Watcher Performed on April 3rd >>>>>>>>>>>>>> script >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> What is process? Is it what I do? What I imagine? My dance with the material world? The thing that I draw is only
Archetypes of Painting
The Messenger, The Totem, The Shaman, and Watcher Performed on April 3rd >>>>>>>>>>>>>> script >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> What is process? Is it what I do? What I imagine? My dance with the material world? The thing that I draw is only
Surfacing
approx. 700 x 1000 mm mixed media on sculptural form ________________ From a lake a fish jumps An idea of a fish jumps A fish jumps, carved wooden fish with dots painted on the sides, No, antlered fish thing drawn
Surfacing
approx. 700 x 1000 mm mixed media on sculptural form ________________ From a lake a fish jumps An idea of a fish jumps A fish jumps, carved wooden fish with dots painted on the sides, No, antlered fish thing drawn
Memory Trace
Memory Trace (2004)
: a photo-drawing (series) :
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‘Memory trace’ is the preserved content of the lingering imagery of experience. The experienced memory (in time and space) is recalled from the contained imagery of the object (body). Memory traces tend to fade out in time and become signs and the contents fragment and defragment; are remixed. The salient features of the distant hum are emphasized, unbalance balances. When something seems familiar, that memory contains the referential similarity or the similarity of trace interfaces within the scene (context).
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Memory Trace
Memory Trace (2004)
: a photo-drawing (series) :
———————————-
‘Memory trace’ is the preserved content of the lingering imagery of experience. The experienced memory (in time and space) is recalled from the contained imagery of the object (body). Memory traces tend to fade out in time and become signs and the contents fragment and defragment; are remixed. The salient features of the distant hum are emphasized, unbalance balances. When something seems familiar, that memory contains the referential similarity or the similarity of trace interfaces within the scene (context).
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Being Watched (the speed of war)
installation view
intaglio poster for the installation
(2005)
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Being Watched (the speed of war)
installation view
intaglio poster for the installation
(2005)
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Experiment of the limitation with body speed
(2005)
drawing as a remnant of performance
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Experiment of the limitation with body speed
(2005)
drawing as a remnant of performance
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Suk Kyoung Choi 