Category Archives: active/news
[video] The Trance Machine (2019), presented at ICCV in Seoul (Korea).
The Trance Machine explores the liminal border between awareness and context. Starting from the idea that every image is a composition of successively smaller images, an ever-changing manifold of frames within frames, the artists’ vision holds a tacit conversation
[video] The Trance Machine (2019), presented at ICCV in Seoul (Korea).
The Trance Machine explores the liminal border between awareness and context. Starting from the idea that every image is a composition of successively smaller images, an ever-changing manifold of frames within frames, the artists’ vision holds a tacit conversation
When Schwitters Met Trump, (2017) is showing at ECCV in Munich, Germany
When Schwitters Met Trump, (2017) is showing at the European Conference on Computer Vision (ECCV, 2018) in Munich, Germany. The link to the work is here: https://computervisionart.com/pieces/when-schwitters-met-trump/. If you are interested in seeing more art work using deep learning there are other
When Schwitters Met Trump, (2017) is showing at ECCV in Munich, Germany
When Schwitters Met Trump, (2017) is showing at the European Conference on Computer Vision (ECCV, 2018) in Munich, Germany. The link to the work is here: https://computervisionart.com/pieces/when-schwitters-met-trump/. If you are interested in seeing more art work using deep learning there are other
Sketching in Practice 2016 (Vancouver)
Grids and Gestures with Dr. Nick Sousanis.
“Touch of the Eye: Does observation reflect haptic metaphors in art drawing?” at CHI2015 (Seoul, Korea)
I presented our paper “Touch of the Eye: Does observation reflect haptic metaphors in art drawing?“, co-authored with Steve DiPaola, at CHI 2015 in Seoul, Korea. Abstract: We present preliminary indications from an examination of the relationship between stimulus fixation
“Touch of the Eye: Does observation reflect haptic metaphors in art drawing?” at CHI2015 (Seoul, Korea)
I presented our paper “Touch of the Eye: Does observation reflect haptic metaphors in art drawing?“, co-authored with Steve DiPaola, at CHI 2015 in Seoul, Korea. Abstract: We present preliminary indications from an examination of the relationship between stimulus fixation
“How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity” at the Electronic Visualisation and the Arts conference (2013)
I am presenting a paper, How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity with Steve DiPaola at Electronic Visualisation and the Arts – London on Day 2: Tuesday 30th July 2013.
How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity
SK Choi, S DiPaola
“How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity” at the Electronic Visualisation and the Arts conference (2013)
I am presenting a paper, How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity with Steve DiPaola at Electronic Visualisation and the Arts – London on Day 2: Tuesday 30th July 2013.
How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity
SK Choi, S DiPaola
MA thesis defence: Monday January 14th, 2013
I successfully defended my MA thesis, entitled: “Painting Time: Metaphor in Creative Process” on Monday, January 14th, 2013! You can read the abstract and download the full text here.
MA thesis defence: Monday January 14th, 2013
I successfully defended my MA thesis, entitled: “Painting Time: Metaphor in Creative Process” on Monday, January 14th, 2013! You can read the abstract and download the full text here.
[Poster] The Corner Monster: Perspicacity of Perception, Sensation, and Immersion
Poster accepted to ArtsIT, International ICST Conference on Arts and Technology, in Esbjerg, Denmark
[Poster] The Corner Monster: Perspicacity of Perception, Sensation, and Immersion
Poster accepted to ArtsIT, International ICST Conference on Arts and Technology, in Esbjerg, Denmark
“The tacit and the trace: Towards syntax of the creative act” at the Conceptual Structure, Discourse, and Language conference (2012, Vancouver, Canada)
Co-authored paper, The tacit and the trace: Towards syntax of the creative act with Steve DiPaola, and Thecla Schiphorst was presented at the Conceptual Structure, Discourse, and Language Conference, at University of British Columbia. Presentation on May 20th, 2012.
“The tacit and the trace: Towards syntax of the creative act” at the Conceptual Structure, Discourse, and Language conference (2012, Vancouver, Canada)
Co-authored paper, The tacit and the trace: Towards syntax of the creative act with Steve DiPaola, and Thecla Schiphorst was presented at the Conceptual Structure, Discourse, and Language Conference, at University of British Columbia. Presentation on May 20th, 2012.
corner monster online,
@ VASA Project – Online Workshops, Talks, and Exhibitions in Photography, New Media, Sound Art and Visual Studies Interview How do the interactive elements echo the main idea behind the work? In this work we were interested in the
corner monster online,
@ VASA Project – Online Workshops, Talks, and Exhibitions in Photography, New Media, Sound Art and Visual Studies Interview How do the interactive elements echo the main idea behind the work? In this work we were interested in the
Suk Kyoung Choi 