Category Archives: papers
“What happened to the subject? Mediated anticipation in neural painting” in TechnoeticArts (2021)
Published: November 1, 2021“The (de) situated subjective: a cognitive autoethnography of ‘the New York School’” ispublished in the Technoetic Arts. You can access the paper here. AbstractThis article presents a phenomenology of artistic painting as an anticipatory process. I proposethat
“What happened to the subject? Mediated anticipation in neural painting” in TechnoeticArts (2021)
Published: November 1, 2021“The (de) situated subjective: a cognitive autoethnography of ‘the New York School’” ispublished in the Technoetic Arts. You can access the paper here. AbstractThis article presents a phenomenology of artistic painting as an anticipatory process. I proposethat
“The (de) situated subjective: a cognitive autoethnography of ‘the New York School’” in Journal of Visual Art Practice (2022)
Published online: 19 May 2022 “The (de) situated subjective: a cognitive autoethnography of ‘the New York School’” is published in the Journal of Visual Art Practice. You can access the paper here. ABSTRACT In this article I initiate an inquiry
“The (de) situated subjective: a cognitive autoethnography of ‘the New York School’” in Journal of Visual Art Practice (2022)
Published online: 19 May 2022 “The (de) situated subjective: a cognitive autoethnography of ‘the New York School’” is published in the Journal of Visual Art Practice. You can access the paper here. ABSTRACT In this article I initiate an inquiry
“Artistic Style Meets Artificial Intelligence” in Journal of Perceptual Imaging (2021)
Co-authored paper with Steve DiPaola and Hannu Töyrylä is available online at https://library.imaging.org/jpi/articles/4/2/art00003. The images below show some of the style-transfer study process from images in the paper. Figure 1. Content Style Figure 1 shows a mapping of content against
“Artistic Style Meets Artificial Intelligence” in Journal of Perceptual Imaging (2021)
Co-authored paper with Steve DiPaola and Hannu Töyrylä is available online at https://library.imaging.org/jpi/articles/4/2/art00003. The images below show some of the style-transfer study process from images in the paper. Figure 1. Content Style Figure 1 shows a mapping of content against
“Guess, check and fix: a phenomenology of improvisation in ‘neural’ painting” in Digital Creativity (2018)
Published online: 22 Feb 2018 “Guess, check and fix: a phenomenology of improvisation in ‘neural’ painting” is now published in the journal Digital Creativity. You can access the paper here. ABSTRACT The parameter space offered by neural network image synthesis
“Guess, check and fix: a phenomenology of improvisation in ‘neural’ painting” in Digital Creativity (2018)
Published online: 22 Feb 2018 “Guess, check and fix: a phenomenology of improvisation in ‘neural’ painting” is now published in the journal Digital Creativity. You can access the paper here. ABSTRACT The parameter space offered by neural network image synthesis
“Touch of the Eye: Does observation reflect haptic metaphors in art drawing?” at CHI2015 (Seoul, Korea)
I presented our paper “Touch of the Eye: Does observation reflect haptic metaphors in art drawing?“, co-authored with Steve DiPaola, at CHI 2015 in Seoul, Korea. Abstract: We present preliminary indications from an examination of the relationship between stimulus fixation
“Touch of the Eye: Does observation reflect haptic metaphors in art drawing?” at CHI2015 (Seoul, Korea)
I presented our paper “Touch of the Eye: Does observation reflect haptic metaphors in art drawing?“, co-authored with Steve DiPaola, at CHI 2015 in Seoul, Korea. Abstract: We present preliminary indications from an examination of the relationship between stimulus fixation
“How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity” at the Electronic Visualisation and the Arts conference (2013)
I am presenting a paper, How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity with Steve DiPaola at Electronic Visualisation and the Arts – London on Day 2: Tuesday 30th July 2013.
How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity
SK Choi, S DiPaola
“How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity” at the Electronic Visualisation and the Arts conference (2013)
I am presenting a paper, How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity with Steve DiPaola at Electronic Visualisation and the Arts – London on Day 2: Tuesday 30th July 2013.
How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity
SK Choi, S DiPaola
“The tacit and the trace: Towards syntax of the creative act” at the Conceptual Structure, Discourse, and Language conference (2012, Vancouver, Canada)
Co-authored paper, The tacit and the trace: Towards syntax of the creative act with Steve DiPaola, and Thecla Schiphorst was presented at the Conceptual Structure, Discourse, and Language Conference, at University of British Columbia. Presentation on May 20th, 2012.
“The tacit and the trace: Towards syntax of the creative act” at the Conceptual Structure, Discourse, and Language conference (2012, Vancouver, Canada)
Co-authored paper, The tacit and the trace: Towards syntax of the creative act with Steve DiPaola, and Thecla Schiphorst was presented at the Conceptual Structure, Discourse, and Language Conference, at University of British Columbia. Presentation on May 20th, 2012.
Suk Kyoung Choi 