Category Archives: interactive / media art
Les Cartes: (I make (therefore) I am)
Statement:
“Les Cartes” is a user printed sleeve for artist business cards. The surface modeling contains the data of an audio spectral analysis of the phrases “I am” and “I make”. The reference of course is to Descartes “I think therefore I am” recontextualized into the age of distributed originality as “I am (therefore) I make.”
Starting from the idea of visualizing the invisible, one may imagine also the inherent modulation of that original by its successive regeneration, a procedure whereby ‘scanning’ the card (holder) to extract it’s voice results only in distant echoes of the presence of any ‘original’. Scan, convert, print, and repeat, leading to emergent forms of concrete poetry where new sounds, new objects, new meanings, arise from the reproduction of the ghost in the machine.
Les Cartes: (I make (therefore) I am)
Statement:
“Les Cartes” is a user printed sleeve for artist business cards. The surface modeling contains the data of an audio spectral analysis of the phrases “I am” and “I make”. The reference of course is to Descartes “I think therefore I am” recontextualized into the age of distributed originality as “I am (therefore) I make.”
Starting from the idea of visualizing the invisible, one may imagine also the inherent modulation of that original by its successive regeneration, a procedure whereby ‘scanning’ the card (holder) to extract it’s voice results only in distant echoes of the presence of any ‘original’. Scan, convert, print, and repeat, leading to emergent forms of concrete poetry where new sounds, new objects, new meanings, arise from the reproduction of the ghost in the machine.

[Poster] The Corner Monster: Perspicacity of Perception, Sensation, and Immersion
Poster accepted to ArtsIT, International ICST Conference on Arts and Technology, in Esbjerg, Denmark

[Poster] The Corner Monster: Perspicacity of Perception, Sensation, and Immersion
Poster accepted to ArtsIT, International ICST Conference on Arts and Technology, in Esbjerg, Denmark

corner monster online,
@ VASA Project – Online Workshops, Talks, and Exhibitions in Photography, New Media, Sound Art and Visual Studies Interview How do the interactive elements echo the main idea behind the work? In this work we were interested in the

corner monster online,
@ VASA Project – Online Workshops, Talks, and Exhibitions in Photography, New Media, Sound Art and Visual Studies Interview How do the interactive elements echo the main idea behind the work? In this work we were interested in the

Corner Monster | video documentation
The Corner Monster is a collaborative project supporting the independent research of Suk Kyoung Choi and Mark Nazemi, current graduate students at the School of Interactive Arts & Technology at Simon Fraser University. Statement The Corner Monster is process-led research

Corner Monster | video documentation
The Corner Monster is a collaborative project supporting the independent research of Suk Kyoung Choi and Mark Nazemi, current graduate students at the School of Interactive Arts & Technology at Simon Fraser University. Statement The Corner Monster is process-led research