“The Drowned World” series (2017)


Here I have reintroduced new ‘content’ (upper right) in the form of edited photography of local buildings whose future seems uncertain. The ‘style’ (upper left) is an image that emerged earlier in the process. The lower left blend is an abstraction resulting from negative content weighting and some post-production noise reduction, the lower right blend is approaching the ‘feel’ of the intended theme.

About Suk Kyoung Choi

artist / researcher

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