Author Archives: Suk Kyoung Choi
Iterated sketchbooks
This series explores the generative image as a visual narrative engine. An initial drawing from a sketchbook of nature scenes leads to a story of parallel worlds. Image-to-Image from oil on canvas painting and Stable Diffusion. SK Choi, 2024.
Iterated sketchbooks
This series explores the generative image as a visual narrative engine. An initial drawing from a sketchbook of nature scenes leads to a story of parallel worlds. Image-to-Image from oil on canvas painting and Stable Diffusion. SK Choi, 2024.
The Cave and AI
Drowned World: The Anthropocene in 4 movements(Four ballads for Ballard) The songs come to me in waking dreams, turning captures of my environment into messages in a digital bottle, interventions on future histories, containments of some measure of present sanity.
The Cave and AI
Drowned World: The Anthropocene in 4 movements(Four ballads for Ballard) The songs come to me in waking dreams, turning captures of my environment into messages in a digital bottle, interventions on future histories, containments of some measure of present sanity.
Sketchbook scans
Random drawings, media varies. Some oil pastels, soft pastels, charcoal, conté, graphite, etc.
Sketchbook scans
Random drawings, media varies. Some oil pastels, soft pastels, charcoal, conté, graphite, etc.
“Art and the Artificial” published in Journal of Creativity (2023)
Choi, S. K., DiPaola, S., & Gabora, L. (2023). Art and the Artificial. Journal of Creativity, 100069. https://doi.org/10.1016/j.yjoc.2023.100069 ABSTRACT This paper explores the philosophical implications of machine learning text-to-image synthesis in a practice-based phenomenology of the computational poetics of a
“Art and the Artificial” published in Journal of Creativity (2023)
Choi, S. K., DiPaola, S., & Gabora, L. (2023). Art and the Artificial. Journal of Creativity, 100069. https://doi.org/10.1016/j.yjoc.2023.100069 ABSTRACT This paper explores the philosophical implications of machine learning text-to-image synthesis in a practice-based phenomenology of the computational poetics of a
Art creation as an emergent multimodal journey in Artificial Intelligence latent space
In Companion Publication of the 25th International Conference on Multimodal Interaction (Paris, France October 9–13, 2023). DiPaola, S., & Choi, S. K. (2023). Art creation as an emergent multimodal journey in Artificial Intelligence latent space. Companion Publication of the 25th
Art creation as an emergent multimodal journey in Artificial Intelligence latent space
In Companion Publication of the 25th International Conference on Multimodal Interaction (Paris, France October 9–13, 2023). DiPaola, S., & Choi, S. K. (2023). Art creation as an emergent multimodal journey in Artificial Intelligence latent space. Companion Publication of the 25th
AI as other: An art-as-research approach to generative AI art practice
In ICCC 2023 Conference Proceedings (University of Waterloo, Ontario, June 19–23, 2023). Choi, SK., & DiPaola, S. (In press). AI as other: An art-as-research approach to generative AI art practice. ICCC 2023 Conference Proceedings. https://computationalcreativity.net/iccc23/papers/ICCC-2023_paper_109.pdf ABSTRACT This Art-as-Research explores emergent
AI as other: An art-as-research approach to generative AI art practice
In ICCC 2023 Conference Proceedings (University of Waterloo, Ontario, June 19–23, 2023). Choi, SK., & DiPaola, S. (In press). AI as other: An art-as-research approach to generative AI art practice. ICCC 2023 Conference Proceedings. https://computationalcreativity.net/iccc23/papers/ICCC-2023_paper_109.pdf ABSTRACT This Art-as-Research explores emergent
Art of the Machine (2023)
Some examples from my Art of the Machine series. In this series I explore the AI text-to-image transformation of extended technical poetics drawn from post-phenomenological texts and their historical antecedents such as Lewis Mumford’s The Myth of the Machine. In
Art of the Machine (2023)
Some examples from my Art of the Machine series. In this series I explore the AI text-to-image transformation of extended technical poetics drawn from post-phenomenological texts and their historical antecedents such as Lewis Mumford’s The Myth of the Machine. In
The Drowned World 2023 edition
A selection of recent work drawn from my The Drowned World series. This series mixes personal journaling with extracts from dystopian and hopepunk narrative to offer an anticipatory aesthetics of possible futures. The work was originally evolved from my oil
The Drowned World 2023 edition
A selection of recent work drawn from my The Drowned World series. This series mixes personal journaling with extracts from dystopian and hopepunk narrative to offer an anticipatory aesthetics of possible futures. The work was originally evolved from my oil
drowning world
When those in power have no vision the world is given to the artists to try and bring solace to a damaged environment. Style Transfer transformations (2022) of an original oil paining by SK Choi, 36″ x 24″, 2014.
drowning world
When those in power have no vision the world is given to the artists to try and bring solace to a damaged environment. Style Transfer transformations (2022) of an original oil paining by SK Choi, 36″ x 24″, 2014.
The emergent self
The Emergent Self, Twice Reflected, 2020, style-transfer digital image transferred to canvas, mixed media on canvas (two stages shown), 36” x 36”.
The emergent self
The Emergent Self, Twice Reflected, 2020, style-transfer digital image transferred to canvas, mixed media on canvas (two stages shown), 36” x 36”.
Suk Kyoung Choi 