Author Archives: Suk Kyoung Choi

About Suk Kyoung Choi

artist / researcher

[video] The Merz Variations no. 1 – “When Schwitters met Trump”

The Merz Variations (2018) are a series of neural network experiments in convolutional image blending. Using a combination of ‘style transfer’ and Deep Dream, the video slowly increments the influence of the Deep Dream algorithm on the blending of an

[video] The Merz Variations no. 1 – “When Schwitters met Trump”

The Merz Variations (2018) are a series of neural network experiments in convolutional image blending. Using a combination of ‘style transfer’ and Deep Dream, the video slowly increments the influence of the Deep Dream algorithm on the blending of an

“The Drowned World” series (2017)

“The Drowned World” series is an exploration of J. G. Ballard’s dystopian climate novel The Drowned World. Using AI style transfer technologies I explore this metaphor by blending the present with its potential transformation. The narrative of the drowned world

“The Drowned World” series (2017)

“The Drowned World” series is an exploration of J. G. Ballard’s dystopian climate novel The Drowned World. Using AI style transfer technologies I explore this metaphor by blending the present with its potential transformation. The narrative of the drowned world

“Guess, check and fix: a phenomenology of improvisation in ‘neural’ painting” in Digital Creativity (2018)

Published online: 22 Feb 2018 “Guess, check and fix: a phenomenology of improvisation in ‘neural’ painting” is now published in the journal Digital Creativity. You can access the paper here. ABSTRACT The parameter space offered by neural network image synthesis

“Guess, check and fix: a phenomenology of improvisation in ‘neural’ painting” in Digital Creativity (2018)

Published online: 22 Feb 2018 “Guess, check and fix: a phenomenology of improvisation in ‘neural’ painting” is now published in the journal Digital Creativity. You can access the paper here. ABSTRACT The parameter space offered by neural network image synthesis

When Schwitters Met Trump (in collaboration with Höch)

The Picture – Cut with the Kitchen Knife: Dada Through the Last Weimar Beer Belly Culture Epoch, digital collage, made in collaboration with DL, 2017   When Schwitters met Trump (in evolution)

When Schwitters Met Trump (in collaboration with Höch)

The Picture – Cut with the Kitchen Knife: Dada Through the Last Weimar Beer Belly Culture Epoch, digital collage, made in collaboration with DL, 2017   When Schwitters met Trump (in evolution)

Sketching in Practice 2016 (Vancouver)

Grids and Gestures with Dr. Nick Sousanis.  

Sketching in Practice 2016 (Vancouver)

Grids and Gestures with Dr. Nick Sousanis.  

“Touch of the Eye: Does observation reflect haptic metaphors in art drawing?” at CHI2015 (Seoul, Korea)

I presented our paper “Touch of the Eye: Does observation reflect haptic metaphors in art drawing?“, co-authored with Steve DiPaola, at CHI 2015 in Seoul, Korea. Abstract: We present preliminary indications from an examination of the relationship between stimulus fixation

“Touch of the Eye: Does observation reflect haptic metaphors in art drawing?” at CHI2015 (Seoul, Korea)

I presented our paper “Touch of the Eye: Does observation reflect haptic metaphors in art drawing?“, co-authored with Steve DiPaola, at CHI 2015 in Seoul, Korea. Abstract: We present preliminary indications from an examination of the relationship between stimulus fixation