Author Archives: Suk Kyoung Choi
MA thesis defence: Monday January 14th, 2013
I successfully defended my MA thesis, entitled: “Painting Time: Metaphor in Creative Process” on Monday, January 14th, 2013! You can read the abstract and download the full text here.
MA thesis defence: Monday January 14th, 2013
I successfully defended my MA thesis, entitled: “Painting Time: Metaphor in Creative Process” on Monday, January 14th, 2013! You can read the abstract and download the full text here.
[Poster] The Corner Monster: Perspicacity of Perception, Sensation, and Immersion
Poster accepted to ArtsIT, International ICST Conference on Arts and Technology, in Esbjerg, Denmark
[Poster] The Corner Monster: Perspicacity of Perception, Sensation, and Immersion
Poster accepted to ArtsIT, International ICST Conference on Arts and Technology, in Esbjerg, Denmark
“The tacit and the trace: Towards syntax of the creative act” at the Conceptual Structure, Discourse, and Language conference (2012, Vancouver, Canada)
Co-authored paper, The tacit and the trace: Towards syntax of the creative act with Steve DiPaola, and Thecla Schiphorst was presented at the Conceptual Structure, Discourse, and Language Conference, at University of British Columbia. Presentation on May 20th, 2012.
“The tacit and the trace: Towards syntax of the creative act” at the Conceptual Structure, Discourse, and Language conference (2012, Vancouver, Canada)
Co-authored paper, The tacit and the trace: Towards syntax of the creative act with Steve DiPaola, and Thecla Schiphorst was presented at the Conceptual Structure, Discourse, and Language Conference, at University of British Columbia. Presentation on May 20th, 2012.
Childhood’s End.
There is a little boy I do not know sitting in the corner of my room. He has round eyes that are puffy and red, with a pale face, like a little rabbit looking down, not speaking. The boy is
Childhood’s End.
There is a little boy I do not know sitting in the corner of my room. He has round eyes that are puffy and red, with a pale face, like a little rabbit looking down, not speaking. The boy is
Archetypes of Painting
The Messenger, The Totem, The Shaman, and Watcher Performed on April 3rd >>>>>>>>>>>>>> script >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> What is process? Is it what I do? What I imagine? My dance with the material world? The thing that I draw is only
Archetypes of Painting
The Messenger, The Totem, The Shaman, and Watcher Performed on April 3rd >>>>>>>>>>>>>> script >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> What is process? Is it what I do? What I imagine? My dance with the material world? The thing that I draw is only
Setting Places
>>> Windows I don’t remember how long I’ve been standing here, looking at windows, windows covered in buildings. Maybe a few hours, or a few months… maybe longer. There are many windows. There are different people in every window.
Setting Places
>>> Windows I don’t remember how long I’ve been standing here, looking at windows, windows covered in buildings. Maybe a few hours, or a few months… maybe longer. There are many windows. There are different people in every window.
vr / room study
CAVE study
Partially encircled space
Room study (for a specific installation)
Suk Kyoung Choi 