Category Archives: papers
“Art and the Artificial” published in Journal of Creativity (2023)
Choi, S. K., DiPaola, S., & Gabora, L. (2023). Art and the Artificial. Journal of Creativity, 100069. https://doi.org/10.1016/j.yjoc.2023.100069 ABSTRACT This paper explores the philosophical implications of machine learning text-to-image synthesis in a practice-based phenomenology of the computational poetics of a
“Art and the Artificial” published in Journal of Creativity (2023)
Choi, S. K., DiPaola, S., & Gabora, L. (2023). Art and the Artificial. Journal of Creativity, 100069. https://doi.org/10.1016/j.yjoc.2023.100069 ABSTRACT This paper explores the philosophical implications of machine learning text-to-image synthesis in a practice-based phenomenology of the computational poetics of a
Art creation as an emergent multimodal journey in Artificial Intelligence latent space
In Companion Publication of the 25th International Conference on Multimodal Interaction (Paris, France October 9–13, 2023). DiPaola, S., & Choi, S. K. (2023). Art creation as an emergent multimodal journey in Artificial Intelligence latent space. Companion Publication of the 25th
Art creation as an emergent multimodal journey in Artificial Intelligence latent space
In Companion Publication of the 25th International Conference on Multimodal Interaction (Paris, France October 9–13, 2023). DiPaola, S., & Choi, S. K. (2023). Art creation as an emergent multimodal journey in Artificial Intelligence latent space. Companion Publication of the 25th
AI as other: An art-as-research approach to generative AI art practice
In ICCC 2023 Conference Proceedings (University of Waterloo, Ontario, June 19–23, 2023). Choi, SK., & DiPaola, S. (In press). AI as other: An art-as-research approach to generative AI art practice. ICCC 2023 Conference Proceedings. https://computationalcreativity.net/iccc23/papers/ICCC-2023_paper_109.pdf ABSTRACT This Art-as-Research explores emergent
AI as other: An art-as-research approach to generative AI art practice
In ICCC 2023 Conference Proceedings (University of Waterloo, Ontario, June 19–23, 2023). Choi, SK., & DiPaola, S. (In press). AI as other: An art-as-research approach to generative AI art practice. ICCC 2023 Conference Proceedings. https://computationalcreativity.net/iccc23/papers/ICCC-2023_paper_109.pdf ABSTRACT This Art-as-Research explores emergent
“The AI Laocoön: Art and the Artificial Imagination or, Survival Aesthetics in the Anthropocene” in Leonardo (2023)
Suk Kyoung Choi, The Drowned World triptych, series 001. (© Suk Kyoung Choi) from Choi’s article “The AI Laocoön: Art and the Artificial Imagination, or Survival Aesthetics in the Anthropocene.” Published: June 1, 2023 “The AI Laocoön: Art and the Artificial Imagination or, Survival Aesthetics
“The AI Laocoön: Art and the Artificial Imagination or, Survival Aesthetics in the Anthropocene” in Leonardo (2023)
Suk Kyoung Choi, The Drowned World triptych, series 001. (© Suk Kyoung Choi) from Choi’s article “The AI Laocoön: Art and the Artificial Imagination, or Survival Aesthetics in the Anthropocene.” Published: June 1, 2023 “The AI Laocoön: Art and the Artificial Imagination or, Survival Aesthetics
“What happened to the subject? Mediated anticipation in neural painting” in TechnoeticArts (2021)
Published: November 1, 2021“The (de) situated subjective: a cognitive autoethnography of ‘the New York School’” ispublished in the Technoetic Arts. You can access the paper here. AbstractThis article presents a phenomenology of artistic painting as an anticipatory process. I proposethat
“What happened to the subject? Mediated anticipation in neural painting” in TechnoeticArts (2021)
Published: November 1, 2021“The (de) situated subjective: a cognitive autoethnography of ‘the New York School’” ispublished in the Technoetic Arts. You can access the paper here. AbstractThis article presents a phenomenology of artistic painting as an anticipatory process. I proposethat
“The (de) situated subjective: a cognitive autoethnography of ‘the New York School’” in Journal of Visual Art Practice (2022)
Published online: 19 May 2022 “The (de) situated subjective: a cognitive autoethnography of ‘the New York School’” is published in the Journal of Visual Art Practice. You can access the paper here. ABSTRACT In this article I initiate an inquiry
“The (de) situated subjective: a cognitive autoethnography of ‘the New York School’” in Journal of Visual Art Practice (2022)
Published online: 19 May 2022 “The (de) situated subjective: a cognitive autoethnography of ‘the New York School’” is published in the Journal of Visual Art Practice. You can access the paper here. ABSTRACT In this article I initiate an inquiry
“Artistic Style Meets Artificial Intelligence” in Journal of Perceptual Imaging (2021)
Published online: March 2021 Co-authored paper with Steve DiPaola and Hannu Töyrylä is available online at https://library.imaging.org/jpi/articles/4/2/jpi0139. Abstract Recent developments in neural network image processing motivate the question, how these technologies might better serve visual artists. Research goals to date
“Artistic Style Meets Artificial Intelligence” in Journal of Perceptual Imaging (2021)
Published online: March 2021 Co-authored paper with Steve DiPaola and Hannu Töyrylä is available online at https://library.imaging.org/jpi/articles/4/2/jpi0139. Abstract Recent developments in neural network image processing motivate the question, how these technologies might better serve visual artists. Research goals to date
“Guess, check and fix: a phenomenology of improvisation in ‘neural’ painting” in Digital Creativity (2018)
Published online: 22 Feb 2018 “Guess, check and fix: a phenomenology of improvisation in ‘neural’ painting” is now published in the journal Digital Creativity. You can access the paper here. ABSTRACT The parameter space offered by neural network image synthesis
“Guess, check and fix: a phenomenology of improvisation in ‘neural’ painting” in Digital Creativity (2018)
Published online: 22 Feb 2018 “Guess, check and fix: a phenomenology of improvisation in ‘neural’ painting” is now published in the journal Digital Creativity. You can access the paper here. ABSTRACT The parameter space offered by neural network image synthesis
“Touch of the Eye: Does observation reflect haptic metaphors in art drawing?” at CHI2015 (Seoul, Korea)
I presented our paper “Touch of the Eye: Does observation reflect haptic metaphors in art drawing?“, co-authored with Steve DiPaola, at CHI 2015 in Seoul, Korea. Abstract: We present preliminary indications from an examination of the relationship between stimulus fixation
“Touch of the Eye: Does observation reflect haptic metaphors in art drawing?” at CHI2015 (Seoul, Korea)
I presented our paper “Touch of the Eye: Does observation reflect haptic metaphors in art drawing?“, co-authored with Steve DiPaola, at CHI 2015 in Seoul, Korea. Abstract: We present preliminary indications from an examination of the relationship between stimulus fixation
“How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity” at the Electronic Visualisation and the Arts conference (2013)
I am presenting a paper, How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity with Steve DiPaola at Electronic Visualisation and the Arts – London on Day 2: Tuesday 30th July 2013.
How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity
SK Choi, S DiPaola
“How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity” at the Electronic Visualisation and the Arts conference (2013)
I am presenting a paper, How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity with Steve DiPaola at Electronic Visualisation and the Arts – London on Day 2: Tuesday 30th July 2013.
How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity
SK Choi, S DiPaola