Author Archives: Suk Kyoung Choi
see.saw (installation diagram)
April, 2009
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The Moira Project
@ the artlife gallery
Image for the 2009 viewbook, ACAD
The Moira Project (second edition) at the Factory Party #3
at the Artlife Gallery, Calgary
The Moira Project (second edition) at the Factory Party #3
at the Artlife Gallery, Calgary
Video Documentation (first version of the moira project with interactive sound), April 2008
The Moira Project (first edition) Screen dimension: 16 feet (w) x 10 feet (h) sound in Reason and max/msp/jitter Sound in the Moira Project (2008) songs that are drawn from audio memory fragments, or from memories of things you might
Video Documentation (first version of the moira project with interactive sound), April 2008
The Moira Project (first edition) Screen dimension: 16 feet (w) x 10 feet (h) sound in Reason and max/msp/jitter Sound in the Moira Project (2008) songs that are drawn from audio memory fragments, or from memories of things you might
The Moira Project
(from left) stalker, cop, girl, and doctor from The Moira Project: human-computing interactive interface (2008)
— interactive RFID table with the rapid prototyping Moira group
collaboration with Sean G. Lynch
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The Moira Project
(from left) stalker, cop, girl, and doctor from The Moira Project: human-computing interactive interface (2008)
— interactive RFID table with the rapid prototyping Moira group
collaboration with Sean G. Lynch
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Artist Statement / CV
I am interested in interfaces that speak to translational narratives – those which allow for emotive reinterpretation of our poetic relationship with information, as narrative is a relationship formed in the perceiver’s mind, a perceiver who is increasingly embodied in
Artist Statement / CV
I am interested in interfaces that speak to translational narratives – those which allow for emotive reinterpretation of our poetic relationship with information, as narrative is a relationship formed in the perceiver’s mind, a perceiver who is increasingly embodied in
[description] Memory Drifts
“Memory Drifts” – A Reflective performance – “Memory Drifts” presents an interactive installation in which the participant develops their perceptions, visualization, and auditory experiences through their physical/spatial movements. This project attempts to encourage and/or control the participant’s interaction through the
[description] Memory Drifts
“Memory Drifts” – A Reflective performance – “Memory Drifts” presents an interactive installation in which the participant develops their perceptions, visualization, and auditory experiences through their physical/spatial movements. This project attempts to encourage and/or control the participant’s interaction through the
Duality 2: Candle vs. Incense (2006)
December, 2006 Cross projected video loops with the image of a mouth blowing opposite a candle and incense on two vellum screens hung from ceiling to floor. +++ a mouth blowing flickering candle vs glowing incense a mouth inhaling flaming
Duality 2: Candle vs. Incense (2006)
December, 2006 Cross projected video loops with the image of a mouth blowing opposite a candle and incense on two vellum screens hung from ceiling to floor. +++ a mouth blowing flickering candle vs glowing incense a mouth inhaling flaming
The Moira Project – human-computing interactive interface version
public opening. screen shot from the documentation video. Spring 2008 Concept of Time/Space/Speed ‘mind-time’ is not linear. : The concept of time talks about 4-dimensional space. Speed, acceleration and deceleration of time, is about 5-dimensional of world ;
The Moira Project – human-computing interactive interface version
public opening. screen shot from the documentation video. Spring 2008 Concept of Time/Space/Speed ‘mind-time’ is not linear. : The concept of time talks about 4-dimensional space. Speed, acceleration and deceleration of time, is about 5-dimensional of world ;
Suk Kyoung Choi 