Author Archives: Suk Kyoung Choi
Artist Manifesto II
When human kind started developing play by beating and scratching, this started as a physical game, then this visceral spontaneous play resulted in intellectual response, it became a philosophical game. Art is a social system, an institution which embraces these
Artist Manifesto II
When human kind started developing play by beating and scratching, this started as a physical game, then this visceral spontaneous play resulted in intellectual response, it became a philosophical game. Art is a social system, an institution which embraces these
curating immateriality (and materiality)
It seems more and more things are becoming virtualized and immaterialized (for instance, see the demonetarization and immateriality of our economic world: the ‘cyber economy’), and the issue of curating immateriality in the art world is just yet another one
curating immateriality (and materiality)
It seems more and more things are becoming virtualized and immaterialized (for instance, see the demonetarization and immateriality of our economic world: the ‘cyber economy’), and the issue of curating immateriality in the art world is just yet another one
Where I want to be / what I look at
As a member of this society, as an artist, I think the balance between reality and the ideal is significantly important. I have a concept (idea) about my ideal world; the balance of dualities in this world. My view of
Where I want to be / what I look at
As a member of this society, as an artist, I think the balance between reality and the ideal is significantly important. I have a concept (idea) about my ideal world; the balance of dualities in this world. My view of
Manifesto on Art and Commerce
According to Andy Warhol, “the reason I’m painting this way is because I want to be a machine” (Norbert Lynton, p.294). In the culture industry, in the assembly line of the art world, an artist is a complicit in that
Manifesto on Art and Commerce
According to Andy Warhol, “the reason I’m painting this way is because I want to be a machine” (Norbert Lynton, p.294). In the culture industry, in the assembly line of the art world, an artist is a complicit in that
[Film – first edition] crowman project
video (03:24min) I am interested in film as narrative image. I have been working with concepts of time and space. A film, with a narrative characteristic, exists in continuous time and space. Installation (as mediator), as part of the result
[Film – first edition] crowman project
video (03:24min) I am interested in film as narrative image. I have been working with concepts of time and space. A film, with a narrative characteristic, exists in continuous time and space. Installation (as mediator), as part of the result
Suk Kyoung Choi 